While Live Streaming
by Lawrence Bridges
The world has no subject
so why shouldn't I speak
of shells?
The rise of sun and moon confuse me
with pattern.
Worms.
If all of us are not worms
say so now
to those who steer past pebbles
and incidental
clumps adhering to earth
some with sustenance
hidden in delicious rot
and earth bacon.
In Sri Lanka,
somebody just pointed out
that the world is mostly mud.
Thanks for the re-tweet and the like.
Softly,
the topics move across the map
like swamp flowers
with the wind
bending like human waves
at the ballpark.
Such messy swaths of dry
paint with primitive figures in a child's hand.
That art I like
(it’s not self-conscious),
but what isn't (self-conscious)
except the cycles (and
the like)?
Here, what matters doesn’t matter
and how do we build a city
without rebellion, without a king over there?
Leaders,
humbled to suits,
portray realms
as unvanquished.
We are all slaves to stop signs.
About the Author
Lawrence Bridges' poetry has appeared in The New Yorker, Poetry, and The Tampa Review. He has published three volumes of poetry: Horses on Drums, Flip Days, and Brownwood with Red Hen Press.