My daughter calls to tell me my aunt has died, and I'm not invited to the funeral
by Elya Braden
Belong is a straitjacket
and I'm no Houdini, only a cup
of discarded teeth
and double-jointed nails.
When I was nine, I believed
a bed made by 6 am
could untangle me.
For a dime a piece,
I ironed my father's handkerchiefs,
but doors unlocked behind me
and sneakers refused
to stay tied until
I was all windows.
I counted the mermaids
on the bathroom wall
like rosary beads. I counted
on the dawn to solve for y.
I counted the stuffed animals
I tucked as talismans around
my sleeping sister.
I counted backwards
from 100. I colored
between the lines.
When I say mother, soap
bubbles from my mouth.
I become bathtub and she
a pirate, oaring her skiff
with a wooden spoon,
rough from its labors.
Silence a rope dangling
from night's ceiling,
crickets my last defense
against the knot.
Or, my mother is a faultline
and I am a broken
ATM on the wrong side
of Tuesday. Or, she is
a covered wagon, carrying
my sister and her sister
across the prairie,
and I am a blade of grass
bent under her wheel,
bones by the side
of the road.
I could play this game
all day, but I'll still be
flotsam in the Rio Grande
while she is America
flushing her storm drains.
After 10 years, I've learned
to speak in scissors, to say
family and mean strangers.
Once I was a poem. Now,
I'm a shovelful of dirt
waiting for the grave.
About the Author
Elya Braden took a long detour from her creative endeavors to pursue an eighteen-year career as a corporate lawyer and entrepreneur. She is now a writer and mixed-media artist living in Los Angeles and is assistant editor of Gyroscope Review. Her work has been published in Calyx, Causeway Lit, Linden Avenue Literary Journal, Rattle Poets Respond, Willow Review and elsewhere and has been nominated for Best of the Net. She is the author of Open The Fist, recently released by Finishing Line Press. You can find her online at www.elyabraden.com.